A Study About Hagia Sophia Art Essay

Basilicas were used for commercialism, as public meeting topographic points and for tribunals of jurisprudence. The Hagia Sophia was built as the Byzantine Emperor, Justinian ‘s personal imperial church. It was built in the hopes of viing with the Temple of Solomon in Jerusalem. The Forum was built from a huge stoa -lined piazza mensurating 660 by 390 pess ( 200x120m ) with exedrae on two sides. The chief entryway to the forum is on the southern side, a triumphal arch surmounted by a statue of Trajan in a six-horse chariot.

The Basilica Ulpia lies at the north terminal of the plaza, which was cobbled with rectangular blocks of white marble and decorated by a big equestrian statue of Trajan. On either side of the plaza are markets, besides housed by the exedrae. Justinian ‘s basilica was at one time the climaxing architectural accomplishment of late antiquity and the first chef-d’oeuvre of Byzantine architecture. Its influence, both architecturally and liturgically, was widespread and digesting in the Eastern Orthodox, Roman Catholic, and Muslim universes likewise.

The largest columns are of granite, approximately 19 or 20 metres high and at least 1. 5 metres in diameter ; the largest weigh well over 70 dozenss each. Under Justinian ‘s orders, eight Corinthian columns were disassembled from Baalbek, Lebanon and shipped to Constantinople for the building of Hagia Sophia. The huge inside has a complex construction.

The nave is covered by a cardinal dome which has a maximal diameter of 31. 24meters ( 102ft6in ) and a tallness from floor degree of 55. meters ( 182ft5in ) , approximately one 4th smaller and greater, severally, than the dome of the Pantheon. The dome seems rendered weightless by the unbroken arcade of 40 arched Windowss under it, which help deluge the colourful interior with visible radiation. Due to back-to-back fixs in the class of its history, the dome has lost its perfect round base and has become slightly egg-shaped with a diameter changing between 31. 24m ( 102ft6in ) and 30. 86m ( 101ft3in ) .

The dome is carried on pendentives — four concave triangular subdivisions of masonry which solve the job of puting the round base of a dome on a rectangular base. [ 15 ] At Hagia Sophia the weight of the dome passes through the pendentives to four monolithic wharfs at the corners. Between them the dome seems to drift upon four great arches. These were reinforced with buttresses during Ottoman times, under the counsel of the designer Mimar Sinan. At the western ( entryway ) and eastern ( liturgical ) ends, the arched gaps are extended by half domes carried on smaller semi-domed exedras.

Thus a hierarchy of dome-headed elements builds up to make a huge oblong inside crowned by the chief dome, a sequence unexampled in antiquity. Despite all these steps, the weight of the dome remained a job, which was solved by adding buttresses from the exterior. All interior surfaces are sheathed with polychromatic marbles, green and white with violet porphyritic rock and gold mosaics, encrusted upon the brick. This sheathing camouflaged the big pillars, giving them, at the same clip, a brighter facet. On the outside, simple stuccoed walls reveal the lucidity of massed vaults and domes.

The yellow and ruddy colour of the outside was added by the designer Fossati during the Restorations in the nineteenth century. Looking at the program of Trajan ‘s Basilica, there seems to be good balance and symmetricalness in the design. The program shows that the construction was immense, keeping 1000s of people if needed. The Hagia Sophia, while a big edifice in its right, to me still looks smaller and less expansive because of its closed dome. Trajan ‘s basilica was unfastened, giving it an even more unfastened and expanse feeling.

Hagia Sophia is besides really symmetrical in design. In both instances, these constructions were to the full functional as community meeting topographic points or spiritual topographic points of worship. They reflected the wealth and power of their emperors who commissioned their building. Each construction is immense and larger than life in their design: the Hagia Sophia was adorned with gold and beautiful mosaics on its interior walls while the Trajan ‘s Forum was big, unfastened and had several statues and memorials built inside to honour Trajan.

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