Georgia O’Keeffe was an American artist who lived from November 15, 1887 until March 6, 1986. Ms O’Keeffe became interest in art at an early age, and was pushed by her parents because they saw that she had a talent. She studied at various schools in her early life, which helped form her style. After moving to New York in 1916 she met Alfred Stieglitz whom she later married. Later years in her life she moved to New Mexico where she found a lot of her inspiration for her paintings.
Ms. O’Keeffe has been a major figure in American art since the 1920’s Early on in life Ms. O’Keeffe’s mother made her and her sisters attend art classes. Because her parents thought she did so well, they suggested that she attend art school to further her studies. In 1905 she enrolled at the school of the Art Institute of Chicago. She later attended the Art Students League in New York under William Merritt Chase. For her oil painting mona shehab (Dead Rabbit with Copper Pot) she won the League’s William Merritt Chase still life prize. Ms. O’Keeffe felt her work was “unoriginal” so she quit school and destroyed all the work she had completed as a student.
She then worked as a freelance commercial artist for a few years, and then decided to become a teacher leaving her spare time to paint. She took off a year from teaching to attend Columbia University in New York and studied under Arthur Dow where she began to feel her personal style develop. She sent numerous abstract pictures to a friend Anita Pollitzer, who then showed them to Alfred Stieglitz. After seeing her work Mr. Stieglitz thought her work was the “purest, finest, sincerest things that had entered the 291 gallery in a long while. Her first solo show opened at 291 in April 1917, most of the exhibit was the watercolors from Texas.
By July Alfred Stieglitz and Georgia O’Keeffe fell deeply in love. He left his wife and lived with O’Keeffe and after his divorce was final they got married. Alfred Stieglitz started photographing Georgia O’Keeffe, and from 1918 to 1937 had taken more than 300 portraits of her. While living in New York with Alfred Stieglitz she quickly completed a significant body of paintings of New York buildings. She begin to feel the need to travel and find other sources for painting, because the demands of annual show she needed new material. She set out by train with her friend Beck Strand to Taos, New Mexico.
She spent part of nearly every year working in New Mexico. This is where she began painting bones and the area’s distinctive architectural and landscapes forms. Alfred Stieglitz died July 13, 1946 and shortly after that she moved to New Mexico permanently. During the remaining years of her life she did several series of paintings. At age 84 she became aware that her eyesight was failing so she stopping painting. She dabbled in pottery, and had a large kiln installed at her ranch for firing pots. She was inspired to paint again by close friends, so she hired a studio assistant to execute some of her ideas.
She wrote a book about her art and allowed a film crew to do a documentary of ranch called the Ghost Ranch. She died on March 6, 1986 at the age 98, notably Ms. O’Keeffe continued to paint only weeks before her death. Her wishes were to be cremated and have her ashes scattered a top the Pedernal Mountain known as her beloved “Faraway” Analysis of Piece of Art Title: From the Lake No. 1 – 1924 It is a very calm piece. It is like the waves on a lake. She used Oil on Canvas, 36 x 30 in. The dark colors which make it look like you are looking down in to a lake. It looks real.
The waves and curves stands out the most. It makes me feel happy Georgia O’Keeffe was an American artist who is mostly known for her work during the 1920s. She studied at various schools thru out her life which helped shape her style. After moving to New York she met and married Alfred Stieglitz who helped boost her career. She lived the remaining years of her life in New Mexico where she continued to paint up to weeks before her death. Ms. O’Keeffe is mostly known for painting flowers, rocks, shells, animal’s bones and landscapes in which she synthesized abstraction and representation.