The old man and the sea
In the book of ‘The Old Man and the Sea’ we meet Santiago, an aged man who is contemplated of by several people that he can no longer fish. He has departed for many months without catching any kind of fish. His learner, a juvenile man named Manolin, has gone to labor for a supplementary affluent boat. The fisherman puts out into the unfasten sea, and goes a slight further away than he generally would in his nervousness to grasp a fish. At noon gigantic Marlin takes clasp of one of the lines, but the fish is far excessively giant for him to grip (Philip, 1952). The writer pays enormous concentration to the proficiency and legerdemain that Santiago uses in managing with the fish. Santiago allows the fish have sufficient line, so that it would not fracture his stick, but he and his boat are heaved away to sea for three days.
At the final end, the fish, a colossal and commendable antagonist grows weary and Santiago eradicates it. Even this ultimate triumph does not conclude the Santiago’s flight given that he is a still distanced, far out to sea. To make issues inferior, Santiago hauls the Marlin at the back of the boat. Santiago does his greatest to strike the sharks away, but his hard works are not sufficient. The sharks munch the flesh off the Marlin, and Santiago is left with merely the skeleton. Santiago gets back to shoreline fatigued and drained with nonentity to demonstrate for his troubles but the skeletal remains of a hefty Marlin. Even with presently the nude remains of the fish, the understanding has distorted him, and misrepresented the discernment others have of him. Manolin gets up him the morning after his come back and recommends that they formerly fish simultaneously (Katharine, 1968).
The book also demonstrates appreciative of men very dissimilar from him while he sponsors their uncomplicated lives to renowned position. Affiliation and respect increases among the fish and the man, a throwback to an older time in a way that nearly disparages contemporary improvement. The writer writes when fishing was not simply a commerce operation or a sport. In its place, fishing was a term of humanity in its ordinary condition in harmony with environment and oneself. Gargantuan determination and authority occurs in the breast of Santiago. The uncomplicated fisherman turns into a conventional conqueror in his impressive effort. The aged man clasps on to the rope even still he is scratched and battered by it, even if he needs to sleep and eat. He grips onto the rope as though his life depended on it (Philip, 1952).
Once again Hemingway conveys to the fore the authority and manliness of an easy man in an undemanding surroundings. The writer reveals how the laudability can stay in even the most seemingly ordinary situations. The aged man clutches on to the rope even though he is hacked and injured by it, even though he needs to eat and sleep. He clutches onto the rope as though his life depended on it. Once again the writer conveys to the front the masculinity and authority of an uncomplicated man in an effortless environment. He reveals how the valiant can survive in the nearly all apparently ordinary conditions. The book has frequently been read as a Christian story. This is because the encounter among the man and the fish ends after three days and its lines are crammed with crucifixion imagery. Although this consciousness is not wholly persuasive, Hemingway definitely emerges to be concerned in the encounter among life and death. This demonstrates how death can revitalize life (Katharine, 1968).
Philip, Young, Ernest Hemingway. New York: Rinehart Publisher. (1952).
Katharine, Jobes. Twentieth Century Interpretations of The Old Man and the Sea. Englewood Cliffs, New Jersey: Prentice Hall. (1968).